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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      £4 GBP  or more

     

  • Compact Disc (CD) + Digital Album

    This is a limited edition short run of physical CDs for my new EP Cradle Songs.

    Set for release on 28th Jan, Cradle Songs are new settings of works by female Scottish poets Carolina Oliphant, Mary Queen of Scots and Marion Angus and feature vocals, guitar, piano, fiddle and string orchestra.

    Music composed by Daisy Chute and Michael Csányi-Wills

    Daisy Chute: Vocals, Acoustic Guitar, Piano (track 2, 4)
    Michael Csányi-Wills: Piano (track 1, 3), Orchestrations, Programming
    Elisabeth Flett: Fiddle (track 1, 3, 4)
    Live Strings recorded at TomTom Studios, Budapest by Támás Kurina.

    Mixed by Christopher Parker
    Mastered by Katie Tavini

    Includes unlimited streaming of Cradle Songs via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ... more
    ships out within 10 days
    edition of 100 

      £8 GBP or more 

     

1.
Cradle Song 04:07
Poem by Carolina Oliphant (published 1846) Baloo loo, lammie, now baloo my dear; Now, baloo loo, lammy, your ma is here: What ails my sweet bairnie? What ails it this night? What ails my wee lammie? is bairnie no right? Baloo loo, lammie, now baloo, my dear, Does wee lammie know that daddie's no here? Ye're rockin' so sweetly on mammie's warm knee, But daddie's a-rockin' upon the saut sea. Now hush-a-ba, lammie, now hush-a my dear; Now hush-a-ba, lammie; your ma is here: The wild wind is ravin', and mammie's heart's sair, The wild wind is ravin', and ye dinna care. Sing, baloo loo, lammie, sing baloo, my dear; Sing, baloo loo, lammie, your ma is here: My wee bairnie's dozin', it's dozin' now fine, And oh! may it's wauk'nin' be blyther than mine.
2.
Poem by Mary Queen of Scots (c. 1561) In my sad, quiet song, A melancholy air, I shall look deep and long At loss beyond compare, And with bitter tears, I'll pass my best years. Have the harsh fates ere now Let such a grief be felt, Has a more cruel blow Been by Dame Fortune dealt My heart and eyes are where he now lies In my springtime's gladness And flower of my young heart, I feel the deepest sadness Of the most grievous hurt. My heart can fire Only regret and desire. When I lie quietly Sleeping upon my couch, I hear him speak to me And I can feel his touch. Every day He’s near me always I shall cease my song now, My sad lament shall end Whose burden aye shall show True love can not pretend though apart, No less in my heart
3.
Mary's Song 04:02
Mary's Song by Marion Angus (1924) I wad ha’e gi’en him my lips tae kiss, Had I been his, had I been his; Barley breid and elder wine, Had I been his as he is mine. The wanderin’ bee it seeks the rose; Tae the lochan’s bosom the burnie goes; The grey bird cries at evenin’s fa’, ‘My luve, my fair one, come awa’.’ My beloved sall ha’e this he’rt tae break, Reid, reid wine and the barley cake, A he’rt tae break, and a mou’ tae kiss, Tho’ he be nae mine, as I am his.
4.

about

Set for release on 28th Jan, Cradle Songs are new settings of works by female Scottish poets Carolina Oliphant, Mary Queen of Scots and Marion Angus and feature vocals, guitar, piano, fiddle and string orchestra.

Burns Night is a tradition I hold dear, especially as a displaced Scot in London. But every year we gather and recite the same poetry and songs, and I've often wondered about all the Scottish poetry that gets left unread, especially from the female perspective. I wanted to unearth some lesser known poetry so Cradle Songs are settings of the poems I discovered and connected with on my hunt.

The poems are about mourning (Mary Queen of Scots's Melancholy Air), unrequited love (Marion Angus's Mary's Song), and motherhood (Carolina Oliphant's Cradle Song), and span from the 16th to the 20th Century.

credits

released January 28, 2022

Music composed by Daisy Chute and Michael Csányi-Wills

Daisy Chute: Vocals, Acoustic Guitar, Piano (track 2, 4)
Michael Csányi-Wills: Piano (track 1, 3), Orchestrations, Programming
Elisabeth Flett: Fiddle (track 1, 3, 4)
Live Strings recorded at TomTom Studios, Budapest by Támás Kurina.

Mixed by Christopher Parker
Mastered by Katie Tavini

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Daisy Chute London, UK

Daisy Chute is a folk-americana songstress & banjo-wielding multi-instrumentalist. Daisy’s musical roots are born out of her transatlantic Scottish/American heritage & she has been compared to artists like Joni Mitchell, Simon&Garfunkel & Eva Cassidy. Daisy writes award-winning intelligent songs with stories, and performs them with spine-tingling vocals, rich harmonies & intricate instrumentation. ... more

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